6–8 July 2026 | Preveza, Greece

7th Masterclass for Choral Conductors 2026

7th Masterclass for Choral Conductors 2026

Masterclass for Choral Conductors 2026

6–8 July 2026 · Preveza, Greece

The International Choral Festival of Preveza invites choral conductors to a three-day intensive masterclass built around real rehearsal practice. In collaboration with the Ave Chamber Choir, participants will work directly with a distinguished ensemble, exploring conducting technique, musical interpretation, and communication in a practical and focused environment.

What to Expect

  • - Conducting sessions with a chamber choir
  • - Individual feedback from internationally active conductors
  • - Repertoire analysis across historical periods
  • - Intensive, hands-on rehearsal work

This masterclass is designed as a working laboratory for conductors who wish to deepen their artistic and technical approach.

The Experience

  • - Technique and ensemble work
  • - Individual conducting sessions
  • - Repertoire development
  • - Full ensemble rehearsal

The masterclass concludes with a final working session with the choir.

Mentors

Ambrož Čopi

Ambrož Čopi (born 1973) studied composition under the tutelage of Dane Škerl and Uroš Rojko, and piano, at the Academy of Music in Ljubljana. He is recognized as a composer, conductor, lecturer, and the artistic director of the International Youth Choirs Choral Festival Aegis Carminis in Koper. Presently, he is a leader of choral activities at the Conservatory of Music and Ballet Ljubljana (KGBL) and teaches at the Artistic High School in Koper. From the inception of his teaching career, he has fostered his students' creativity in choral music, emerging as a mentor to Slovenia's youngest generation of composers. Through his leadership, new compositions have been inspired and performed worldwide. His original compositions, recorded on five CDs, regularly grace stages worldwide. His works are published predominantly by Astrum Music Publisher, with select works featured by Sulasol, TICF and Hinshaw Music. Čopi has guided numerous Slovenian choirs to remarkable achievements in both national (15 gold plaques) and international competitions (29 first places). He has been awarded many times for outstanding performances and as best conductor. Presently, he conducts the KGBL Chamber Choir and the University of Primorska Academic Choir, both esteemed among Slovenia's premier choral ensembles. In 2014, he was honored with the Gallus Plaque, Slovenia's highest recognition in the realm of musical endeavor, alongside the prestigious national award, the Prešeren Fund Prize, Marjan Kozina Prize and Republic of Slovenia Prize for Education. He is regularly invited to act as a jury member at choral competitions worldwide; he also actively engages in choral music seminars and masterclasses for conductors and composers alike, offering his expertise as a lecturer.

Marco Antonio García de Paz

Marco Antonio García de Paz graduated with the best grades in choir direction at the Superior Music Centre of the Basque Country (Musikene). Founder and leader of the choir El León de Oro, in the choir's twenty-two years of existence García de Paz has developed an extensive international career with his group, carried out in a large number of concerts in the USA, Africa and several European countries, important prizes and recordings with prominent record companies. Currently, García de Paz also takes part as a judge in the most important choir singing contests in Spain and Europe. In addition, he gives masterclasses and workshops about choir direction and “open singing” both at national and international level, in many European countries. In 2015 he was invited to conduct the Choir of Radio Televisión Española (OCRTVE) in a concert at the Monumental Theater of Madrid, which was broadcast live by Radio Clásica of Radio Nacional de España. Throughout this year he has worked with other professional choirs of his country, such as the Community of Madrid Choir (ORCAM) and the National Choir of Spain (CNE). He is a principal guest conductor of the Young Choir of Andalusia (JCA). His immediate projects include commitments in Spain, Italy, France, Bulgaria and Greece.

Demonstrative Choir

Ave Chamber Choir

Ljubljana, Slovenia Conductor: Ambrož Čopi

The Ave Chamber Choir was founded in 1984 in the parish of Ljubljana–Vič, originally as the Ave Vocal Group, and over four decades of activity has established itself as one of Slovenia’s most important chamber choirs. Since its beginning, the ensemble has been distinguished by high performance standards, stylistic diversity, and an active concert and competition presence. The choir has performed successfully at numerous international competitions and festivals throughout Europe and around the world, receiving many top awards. These include prizes at prestigious international choral competitions, the Prešeren Fund Award, the City of Ljubljana Award, and the Order of Merit of the Republic of Slovenia. Through its long-standing presence and artistic consistency, Ave Chamber Choir holds an important place in Slovenian cultural life and in the wider European choral scene. An important part of the choir’s identity is also its discography, including recordings that reflect both its interpretative excellence and its commitment to Slovenian choral tradition and contemporary composers. Since October 2025, the choir’s artistic leadership has been entrusted to Ambrož Čopi, an internationally renowned composer, conductor, lecturer and artistic director. Under his direction, Ave Chamber Choir continues its tradition of artistic excellence, opening new perspectives for the interpretation of both contemporary and classical repertoire.

Programme

Monday, 6 July 2026

  • 10:00–10:30 Welcome and introduction Presentation of the masterclass structure, participants, and repertoire
  • 10:30–11:30 Conducting technique session Fundamental principles of gesture, posture, and communication
  • 11:30–12:30 Practical work (active & passive participants) Basic conducting exercises and introductory work
  • 12:30–13:30 Repertoire study and discussion Approaches to style, phrasing, and interpretation
  • 13:30–16:30 Break
  • 16:30–18:00 Repertoire analysis and interpretative approach
  • 18:00–20:30 Conducting session (active participants)

Tuesday, 7 July 2026

  • 10:00–10:30 Warm-up session with the choir
  • 10:30–13:30 Conducting session (active participants)
  • 13:30–16:30 Break
  • 16:30–18:00 Rehearsal technique Gesture, phrasing, and communication
  • 18:00–20:30 Conducting session (active participants)

Wednesday, 8 July 2026

  • 10:00–10:30 Warm-up session with the choir
  • 10:30–13:00 Final conducting session (active participants)
  • 13:00–16:30 Break
  • 16:30–18:00 Final rehearsal
  • 18:00–19:00 Closing session

Repertoire

The repertoire covers a wide stylistic range, from Renaissance polyphony to contemporary choral music. Participants will work on selected movements from the following repertoire.

Renaissance
  • Tomás Luis de Victoria (1548–1611) — Regina Caeli Laetare
Romantic
  • Sergei Rachmaninov (1873–1943) — Liturgy of St. John Chrysostom, Op. 31 XII. Tebe Poem
  • Joseph Rheinberger (1839–1901) — Mass in E-flat II. Gloria
Contemporary Sacred
  • Alfred Schnittke (1934–1998) — Three Sacred Hymns II. Gospodi Iisusye · III. Otche Nash
  • Sergey Khvoshchinsky (1957) — Bogoroditse Devo
  • Andrej Makor (1987) — Three Orthodox Hymns I. Bogoroditse Devo · II. Tebe Poem · III. Otche Nash
  • Javier Busto (1949) — Ave Verum Corpus
  • Levente Gyöngyösi (1975) — Laudate Dominum
  • Ambrož Čopi (1973) — Two Solomon Songs of Love (Song of Songs) I. Until the Day is Cool · II. Awake, North Wind
Contemporary Profane
  • Jake Runestad (1986) — Let My Love Be Heard (Edward Everett Hale)
  • Federica Lo Pinto (1997) — That I Did Always Love (Emily Dickinson)
  • Ēriks Ešenvalds (1977) — My Love is Like a Red, Red Rose (Folk song from Scotland)
  • Monica Nasti (1969) — Wings of Light – Ad Volandum Nati Sumus (2nd Prize – International Composers Competition of Preveza 2025)
  • Daniele Nasti (1969) — Ode to the Universe (3rd Prize – International Composers Competition of Preveza 2025)

Participation

Active Participants

  • Conduct the choir
  • Receive individual feedback
  • Participate in all sessions
  • Limited places available
  • Applications are reviewed on a rolling basis.

Passive Participants

  • Access to all sessions
  • Observation of all rehearsals
  • Participation in discussions

Fees

Early Bird (20 April – 20 May)

  • Active: 60€
  • Passive: 20€
  • Students (Active): 40€
  • Students (Passive): free of charge

Regular (21 May – 15 June)

  • Active: 80€
  • Passive: 30€
  • Students (Active): 40€
  • Students (Passive): free of charge

Application & Registration

Key Dates

  • Applications open: 20 April 2026
  • Early Bird deadline: 20 May 2026
  • Final application deadline: 15 June 2026

prevezachoralfestival@gmail.com

Application Instructions
  • Active participants: Please send a short CV and (optionally) a video to the email below.
  • Passive participants: Registration is possible via email.

Contact: prevezachoralfestival@gmail.com

Location

Preveza, Greece

Part of

44th International Choral Festival of Preveza