5 - 11 July 2021

39th International Choral Festival of Preveza

A week of choral music, with a non-competitive programme and the 4th Choral Conducting Workshop.

39th International Choral Festival of Preveza

Mark your calendar for July 2021 to be part of the 39th International Choral Festival of Preveza. The festival will be held from 5 to 11 of July 2021 in Preveza. The International Choral Festival of Preveza counts 38 interesting and exciting years of high quality choral music, challenged by excellent choirs which are continuously raising its standards and a great variety of intercultural experiences with participants from all over the world. The Festival includes numerous concerts given at idyllic locations of the area like the seaside fortress of Preveza and the historic Ancient Auditorium of Nikopolis “Odeon”. The other part of the Festival is the prestigious competition for which through the years we have been honored to host internationally acclaimed experts from abroad. Last, but not least a seminar for choral conductors is organized annually with the participation of conductors all around the world. For visiting choirs, Preveza provides an opportunity not only to perform; but also to experience some of the world’s best choral music, soak up the atmosphere and enjoy the mingling, singing and fun, and explore the picturesque city of Preveza and its surrounds. The festival will be managed by the Choral Society "Armonia" of Preveza, under the patronage of the city of Preveza. Choirs are eligible to join the festival either as non-competitive choirs participating in all the performances of the festival, or as competitive choirs.

International Jury Committee I.J.C.

Ambrož Čopi

Ambrož Čopi (born 1973) studied composition under the tutelage of Dane Škerl and Uroš Rojko, and piano, at the Academy of Music in Ljubljana. He is recognized as a composer, conductor, lecturer, and the artistic director of the International Youth Choirs Choral Festival Aegis Carminis in Koper. Presently, he is a leader of choral activities at the Conservatory of Music and Ballet Ljubljana (KGBL) and teaches at the Artistic High School in Koper. From the inception of his teaching career, he has fostered his students' creativity in choral music, emerging as a mentor to Slovenia's youngest generation of composers. Through his leadership, new compositions have been inspired and performed worldwide. His original compositions, recorded on five CDs, regularly grace stages worldwide. His works are published predominantly by Astrum Music Publisher, with select works featured by Sulasol, TICF and Hinshaw Music. Čopi has guided numerous Slovenian choirs to remarkable achievements in both national (15 gold plaques) and international competitions (29 first places). He has been awarded many times for outstanding performances and as best conductor. Presently, he conducts the KGBL Chamber Choir and the University of Primorska Academic Choir, both esteemed among Slovenia's premier choral ensembles. In 2014, he was honored with the Gallus Plaque, Slovenia's highest recognition in the realm of musical endeavor, alongside the prestigious national award, the Prešeren Fund Prize, Marjan Kozina Prize and Republic of Slovenia Prize for Education. He is regularly invited to act as a jury member at choral competitions worldwide; he also actively engages in choral music seminars and masterclasses for conductors and composers alike, offering his expertise as a lecturer.

Graeme Langager

He is Director of Choral Activities at the University of British Columbia School of Music. A passionate and dynamic conductor, Dr. Langager is sought-after as a clinician, adjudicator, educator and guest conductor. He has performed throughout Europe and across North America, appearing in such venues as St. Peter’s Basilica in Rome, Stefansdom in Vienna, Carnegie Hall in New York, St. Nicholas in Prague, St. Stephen’s in Budapest, as well as in cathedrals and concert halls in Italy, Spain, and France. His choirs have also performed at numerous choral conferences, including: NCCO (National Collegiate Choral Organization), ACDA-AR (American Choral Directors Association Conference, Arkansas), IAJE (International Association of Jazz Educators), MENC/NAfME (National Association for Music Education), and the Montreux and North Sea Jazz Festivals. Dr. Langager was born in Lethbridge, Alberta into a musical family, and has sung and played musical instruments since childhood. He has taught for more than 20 years in universities and colleges across the United States and Canada, including the University of Arkansas and Cuesta College in California. He is also active as a composer and arranger, and has been commissioned on a number of occasions. Langager received the doctoral degree in Choral Conducting from the University of Cincinnati College-Conservatory of Music, and the Master of Music degree from California State University, Long Beach.

Klaus-Jürgen Etzold

The German conductor, Klaus-Jürgen Etzold, studied school music, English studies and musicology in Hannover. From 1978 to 1986 Klaus-Jürgen Etzold was artistic assistant of Professor Heinz Hennig in the Knabenchor Hannover. In 1980 he was co-founder and from 1985 also singer in the Orlando di Lasso-Ensemble Hannover. He has participated in conducting courses with Helmuth Rilling, László Heltay, Marinus Voorberg, Heinz Hennig, Eric Ericson, Gary Bertini and Andrew Parrott. Klaus-Jürgen Etzold is the founder and director of the Junges Vokalensemble Hannover. He is director of studies at the Matthias-Claudius-Gymnasium in Gehrden and at the same time since 1991 specialised leader for music at the Studio Seminar Hannover II for the teaching profession at High Schools. Beyond that he is active as an honorary professor for music teaching at the Hochschule für Musik und Theater Hannover. Klaus-Jürgen Etzold received the "Conductor Prize for outstanding artistic achievements" in 1994 in Riva del Garda, Italy. He has given courses for early music and for conducting in his homeland and abroad, recently conducting seminars for the Deutscher Musikrat in Zagreb/Croatia.

Marco Antonio García de Paz

Marco Antonio García de Paz graduated with the best grades in choir direction at the Superior Music Centre of the Basque Country (Musikene). Founder and leader of the choir El León de Oro, in the choir's twenty-two years of existence García de Paz has developed an extensive international career with his group, carried out in a large number of concerts in the USA, Africa and several European countries, important prizes and recordings with prominent record companies. Currently, García de Paz also takes part as a judge in the most important choir singing contests in Spain and Europe. In addition, he gives masterclasses and workshops about choir direction and “open singing” both at national and international level, in many European countries. In 2015 he was invited to conduct the Choir of Radio Televisión Española (OCRTVE) in a concert at the Monumental Theater of Madrid, which was broadcast live by Radio Clásica of Radio Nacional de España. Throughout this year he has worked with other professional choirs of his country, such as the Community of Madrid Choir (ORCAM) and the National Choir of Spain (CNE). He is a principal guest conductor of the Young Choir of Andalusia (JCA). His immediate projects include commitments in Spain, Italy, France, Bulgaria and Greece.

Theodora Pavlovitch

Theodora Pavlovitch is a Professor in choral conducting and Head of Conducting Department of the Bulgarian National Academy of Music. As a conductor she has worked with the Bulgarian National TV-choir (1986-1991) and “Vassil Arnaudov” Sofia Chamber Choir (from 1991 and recently). Since 2005 she has been directing the Classic FM Radio Choir performing concerts with Classic FM Radio Orchestra and world-famous soloists such as Andrea Bocelli, Anna Tomowa-Sintow and others. In 2007/2008 she conducted the World Youth Choir, honored by UNESCO with the title Artist for Peace. She is frequently invited as a member of Jury-panels at a number of international choral competitions, as a conductor and lecturer at prestigious international events all around the world. In 2005 she led a Master class for choral conductors in the program of the 7th World Symposium on Choral Music in Kyoto, Japan. She has been representative of Bulgaria in the World Choral Council since 2012, Vice-President of the International Federation for Choral Music (2008-2014), Chair of the Artistic Committee of the World Youth Choir (2010-2014), Chair of the Music Commission of the European Choral Association Europa Cantat (2003-2006). For her artistic achievements, she has been awarded The Golden Century National Award bestowed by the Minister of Culture of Bulgaria (2016), The Golden Lyre by the Union of Bulgarian Musicians (2010), several Special Prizes by the Bulgarian Choir’s Union, Classic FM Radio, Sofia Municipality and other institutions.

Kostis Konstantaras

Kostis Konstantaras was born in Athens in 1954. He has studied Biology at the Aristotle University of Thessaloniki and Music, at first in Athens and then in Austria and in Germany, specializing in Choir and Orchestra Direction. Either as a Soloist (Baritone) or as a Conductor, he has collaborated with all the famous Greek symphony orchestras and choirs, as well as with renowned foreign ones, the National Opera of Greece and the National Radio and Television, participating in operas and oratorios, concerts and recitals, but also in International Festivals all over Greece and abroad. He has cooperated with great directors and conductors (such as Gavras, Kakogiannis, Koundouros, Jourdan, Hampe, etc). He has worked as a conductor or/and artistic director of: FONS MUSICALIS(1993 – today), Mixed Professional Choir of National Radio and Television (2003-2005), Strings Orchestra and Mixed Choir of DEI (2005- today), Municipal Conservatory of Mykonos (1989 – 2012), Municipal Conservatory of Ellinikon /Argiroupoli (1990 – 2012), Orchestra and Choir of Conservatory of “Filippos Nakas” (2013 – 2015). Moreover, for the last 30 years he has been working as a music teacher, teaching monody and Choir Direction at conservatories and seminars. Finally, a landmark in his career has been the honor to be the exclusive and official conductor of the opening and closing ceremonies in the Paralympics “Athens 2004”, directing 750 choristers.

Katerina Vassilikou

Katerina Vassilikou has graduated from the Faculty of Kindergarten Teachers in Athens. Also she is a certified pianist and she has had studies in classical singing. She has attended several choral conducting seminars, such as Carl Orff and music movement education, music pedagogical system Kodály, etc. Since 1992 she has been working as a music teacher at the Lycée Léonin (School) of Nea Smyrni. She has been directing the choir "Ambitus" since its establishment in 2002 as well as the youth choir of Lycée Léonin (School) of Nea Smyrni since 1992, with which she has won numerous prizes in national and international competitions. Moreover, she has been the conductor of the Women's Choir of the Theoharakis Foundation, the Women's Choir "Niriides" as well as the children's - youth choir of the Municipality of Palaio Faliro. In 2016 she was responsible for the preparation of the 1st Children's Olympic Choir of Greece for its participation in the Official Ceremony of the Delivery of the Olympic Flame at the Summer Olympics in Rio. She has cooperated with several orchestras and choirs (such as the State Orchestra of Athens, the Symphonic Orchestra and the Choir of the National TV and Radio, the National Opera and the National Theatre, etc.) as well as with renowned conductors, such as Loukas Karytinos, Miltos Logiadis, Andreas Pylarinos and others.

John Fitzpatrick

John Fitzpatrick is a conductor, examiner, and regular adjudicator in national and international choral festivals. Festival Director of the prestigious Cork International Choral Festival (1993 – present); Director of the County Cork School of Music (1974 – 2009); a founder Board Member of both AOIC (The Association of Irish Choirs) and The Music Network; a Board Member of the Choral Festival Network, a Music Consultant to the European Choral Association – Europa Cantat and the Singing Network. Honoured by the City of Cork as Cork Person of the Year (2007) and by University College Cork with an honorary Master of Arts degree (2011), in recognition of his services to choral music, music education, and to the musical and cultural life of Cork.

Competition's Categories:

  • Category A: Mixed choirs
  • Repertory requirements: (Only original compositions are permitted) 4 pieces of sacred music (Renaissance or baroque, romantic period, a composition from the early 20th century, a composition of composer born after 1970). If a choir wishes to include any other piece(s) of sacred music in the specific time, they can do so.
  • Number of singers: Minimum of twenty-one (21) singers.
  • Age limits: unlimited.
  • Performance’s duration: 15-20 minutes pure music.
  • Accompaniment not permitted.
  • On free choice of intonation (identified in advance).
  • Category B: Equal Voices’ choirs (Male or Female)
  • Repertory requirements: (Only original compositions are permitted) 4 pieces of sacred music (Renaissance or baroque, romantic period, a composition from the early 20th century, a composition of composer born after 1970). If a choir wishes to include any other piece(s) of sacred music in the specific time, they can do so.
  • Number of singers: Minimum of twenty-one (21) singers.
  • Age limits: unlimited.
  • Performance’s duration: 15-20 minutes pure music.
  • Accompaniment not permitted.
  • On free choice of intonation (identified in advance).
  • Category C: Children’s choirs
  • Repertory requirements: (Only original compositions are permitted) 4 pieces of sacred music (Renaissance or baroque, romantic period, a composition from the early 20th century, a composition of composer born after 1970). If a choir wishes to include any other piece(s) of sacred music in the specific time, they can do so.
  • Number of singers: Minimum of twenty-one (21) singers.
  • Age limits: Up to 18 years.
  • Performance’s duration: 15-20 minutes pure music.
  • Accompaniment: Maximum 2 pieces.
  • On free choice of intonation (identified in advance).
  • Category D: Chamber choirs / Vocal ensembles (mixed, male or female ensembles)
  • Repertory requirements: (Only original compositions are permitted) 4 pieces of sacred music (Renaissance or baroque, romantic period, a composition from the early 20th century, a composition of composer born after 1970). If a choir wishes to include any other piece(s) of sacred music in the specific time, they can do so.
  • Number of singers: Maximum of twenty (20) singers.
  • Age limits: unlimited
  • Performance’s duration: 15-20 minutes pure music
  • Accompaniment not permitted
  • On free choice of intonation (identified in advance).
  • Category E: Youth choirs (mixed, male or female ensembles)
  • Repertory requirements: (Only original compositions are permitted) 4 pieces of sacred music (Renaissance or baroque, romantic period, a composition from the early 20th century, a composition of composer born after 1970). If a choir wishes to include any other piece(s) of sacred music in the specific time, they can do so.
  • Number of singers: Minimum of twenty-one (21) singers.
  • Age limits: Up to 25 years.
  • Performance’s duration: 15-20 minutes pure music.
  • Accompaniment: Maximum 2 pieces.
  • On free choice of intonation (identified in advance).
  • Category F: Spiritual, Gospel, Jazz, Pop Choirs, Pop Ensembles, Folklore, Byzantine chant
  • Repertory requirements: This category offers each choir the opportunity to express its own traditions and strengths. The program should reflect the choral music activities. Thoughtful consideration should be given to the dramatic arc of the overall program. At least 4 arrangements should be performed. If a choir wishes to include any other piece(s) of sacred music in the specific time, they can do so.
  • Number of singers: unlimited
  • Age limits: unlimited
  • Performance’s duration: 15-20 minutes pure music.
  • Accompaniment: unlimited.
  • On free choice of intonation (identified in advance).

International Jury Committee I.J.C.

  • An International Jury Committee, consisting of at least three well-known Greek and/or foreign musicians will judge the competitive part of the festival and mark each performance based on the following:
  • Technique (rhythm, articulation and sound).
  • Difficulty
  • Intonation
  • Interpretation
  • Stylistic Fidelity
The International Jury Committee allocates marks for the technical and artistic quality of the chosen programme and the overall quality of its performance. It will also take into account how well the choir communicates with the audience in a performance situation. The results of the marking process will be final and not subject to appeal in all aspects.

Marking - Medals

The I.J.C. will award prizes to the choirs, which will have achieved the following marks:

  • Gold Medal: From 90.00 to 100 points,
  • Silver Medal: From 80.00 to 89.99 points
  • Bronze Medal: From 70.00 to 79.99 points

Marking – Prize Money

The following prize money will be awarded to the choirs with gold medal and with the highest mark in each category:

  • Category A: 500€ & 1st Prize
  • Category B: 400€ & 1st Prize
  • Category C: 400€ & 1st Prize
  • Category D: 300€ & 1st Prize
  • Category E: 400€ & 1st Prize
  • Category F: 400€ & 1st Prize

Marking – Special Prizes

The I.J.C. may award other special prizes: for the best performance of orthodox chant, for the best folklore performance, for the best conducting, e.g.

Awarding Ceremony

All the prizes, certificates and diplomas will be announced and handed in at a special ceremony in the presence of audience and authorities, where the choirs selected by the International Jury Committee will perform one (1) or two (2) songs also chosen by the I. J .C.

Non – competitive concerts

The place and the time for the non-competitive concerts will be arranged by the Organizing Committee. Pieces of each choir’s choice will be performed “a cappella” within 10-15 minutes.

Application Procedure

  • Each choir is required to forward by 1 June 2021 latest:
  • A fully detailed application form (which is attached).
  • A recent CD recording of the choir or approximately seven MP3 files sent by email
  • The choir’s proposed competition programme (see Repertoire Requirements detailed above). If accepted, this repertoire and its order of performance may not subsequently be altered
  • Six original scores of each work (non returnable)
  • A short history of the choir and conductor detailing activities and achievements (English Text, 250 words)
  • A recent photograph (suitable for publicity purposes) of the choir and the conductor.
  • A list of the names and addresses of the choir members that do not hold EU passports.
All the above material is to be sent to the following address: Choral Society “Armonia” of Preveza, P. O. Box 29, GR – 481 00, Preveza GREECE Tel. 0030 2682 0 24915 E-mail: prevezachoralfestival@gmail.com, armonia4@otenet.gr

Accommodation, Meals & Transport

Each choir is responsible for all matters related to the organization, booking and payment of all accommodation and meals during their stay in Preveza. The festival is not responsible for any booking issues that may arise.

Selection

Only applications enclosing all of the requirements detailed under Application Procedure will be considered. Choirs are selected on the basis of their application material. Particular attention is paid to the repertoire and quality of performance presented on the audition CD submitted with the application.

Conditions of Participation

  • Closing date for receipt of completed applications is 1 June 2021.
  • Once the appropriate material is received, it will be evaluated and the applicant choir will be informed whether they are chosen to participate or not.
  • Registration fee (minus any bank charges incurred) will be refunded if a choir is not selected to participate in the festival.
  • Any selected choir that withdraws from the competition is not entitled to a refund of the registration fee.
  • It is contrary to law to perform music that has been reproduced illegally. Should a choir do so, the festival accepts no responsibility for any action taken by publishers.
  • The Organising Committee accepts no legal responsibility whatsoever in respect of anything pertaining to a choir’s participation in the festival.
  • The festival accepts no responsibility or liability for accommodation and meal costs incurred by the choir.
  • The festival accepts no responsibility for any expense incurred by any choir or individual chorister participating in the festival.

Non-Competitive Participation

Introduction

The International Choral Festival of Preveza is an institution of high artistic quality, both in the Greek and in the international choral field. More than 400 choirs from all over the world have been on its stage, while great personalities have been accredited to its International Jury Committee with their presence, guaranteeing with their glory for the artistic status of the festival as well as the reliability of its procedures.

Participation

All kinds of choirs can participate in the non-competitive festivities of our festival. Working on the direction of its greater spread worldwide, we would like to inform that you will all find out a really attractive destination that manages to combine both high artistic value and quality, as well as the advantages of a beautiful tour, as our region is full of archaeological sites from the Ancient Hellenic period and areas of great natural beauty, too. Besides, staying in Preveza could be an opportunity both for day trips to the surrounding area and excursions to the greater area of our precinct.

Organisation

Participating non-competitively gives choirs the opportunity to present informal performances in various locations across the city, while having the possibility to meet with other choirs, see some of Preveza’s beautiful countryside and attend all the festival’s manifestations. Non-competitive choirs are free to organize their own tourist activities while here, but are asked to please keep the organizing committee informed as their itinerary comes together to ensure that no time-tabling cross over occurs. Different kinds of performances could be organised in cooperation with the participants. Opportunities to perform in different Greek cities (Lefkas, Ioannina, and Agrinio) are possible to be organised after choirs ask.

Timetable

The place and the time of the non-competitive concerts will be arranged by the Organizing Committee that will also choose which choirs will participate in each concert. Pieces of each choir's choice (with a preference for sacred or folklore works) will be performed "a cappella" within 10-15 minutes.

Application Procedure

  • Each choir is required to forward by 1st of June 2021 latest:
  • A fully detailed application form (which is attached).
  • A recent CD recording of the choir or approximately seven MP3 files sent by email.
  • Details of repertory
  • A short history of the choir and conductor detailing activities and achievements (English Text, 250 words).
  • A recent photograph (suitable for publicity purposes) of the choir and the conductor.
  • A list of the names and addresses of the choir members that do not hold EU passports.

Conditions of Participation

  • Closing date for receipt of completed applications is 1st of June 2021.
  • Once the appropriate material is received, it will be evaluated and the applicant choir will be informed whether they are chosen to participate or not
  • Registration fee and participation fee (minus any bank charges incurred) will be refunded if a choir is not selected to participate in the festival.
  • Any selected choir that withdraws from the competition is not entitled to a refund of the registration fee.
  • It is contrary to law to perform music that has been reproduced illegally. Should a choir do so, the festival accepts no responsibility for any action taken by publishers.
  • The Organising Committee accepts no legal responsibility whatsoever in respect of anything pertaining to a choir’s participation in the festival.
  • The festival accepts no responsibility or liability for accommodation and meal costs incurred by the choir.
  • The festival accepts no responsibility for any expense incurred by any choir or individual chorister participating in the festival.
  • Participation in the festival implies acceptance of all the above rules and regulations

Broadcasting, Recording & Photographic Rights

  • It is a condition of participation that any choir agrees that:
  • Any performance it gives during the festival may be photographed, broadcast live and/or recorded for subsequent reproduction and/or broadcast on radio and/or television without payment to the choir (or folk-dance group or orchestra).
  • All broadcasting and photographic rights to any performance at the festival shall belong to the festival which will be free to dispose of them or utilize them in promotional materials it sees fit.
  • Any performance it gives during the festival may, without payment, be recorded and the festival shall be entitled to possession of any such recording and shall further be entitled to reproduce any such recording and to sell, let for hire, offer or expose for sale or hire, distribute or otherwise dispose of any recording or reproduction of recording of any such performance in any manner that it sees fit.

4th Choral Conducting Workshop & Seminar

  • 6 - 8 July 2021

The International Choral Festival of Preveza invites conductors to apply to the 4th Choral Conducting Workshop and Seminar, led by Ambrož Čopi (Slovenia) and Sofia Gioldasi (Greece).

The Conducting Workshop & Seminar is Suitable for:

  • Early career conductors
  • Conducting students with university/conservatory training in music
  • Experienced conductors seeking to work with a high-level ensemble

Fees:

Participation can be active or passive. The active participants will have the chance to work on equal voices choral repertoire with the Female Vocal Ensemble Voci Contra Tempo. Participants who wish to be active are kindly asked to send their CV with specified experiences in choir conducting. Any videos or online links that show the active participants conducting a choir will be more than welcome (but it is not obligatory). In consultation with the workshop leaders there will be a selection of the active participants to conduct at the Final Concert (7th July).

  • Maximum number of active participants: 8
  • Unlimited number of passive participants.
  • Participation fee for active participants: 200€
  • Participation fee for passive participants: 120€

From 8th of July 2021 to 11th of July 2021, the participants will have the opportunity to attend the 39th ICF of Preveza, in the frames of which the 26th international Choral Competition of Music will take place, but also to meet and discuss with conductors of the participating choirs, while the organizing committee of the festival will provide them with any kind of material they might need.

All health protection measures against Covid-19 will be observed during the seminar.