The International Choral Festival of Preveza announces the International Choral Composition Competition of Preveza 2022 (ICCP 2022), the aim of which is to promote choral music through the creation of new and innovative choral repertoire for good level amateur Choirs. Participation is open to composers of any nationality and any age, whether professional or amateur.
SATB or SMsATB a cappella, different body percussion can be used also.
SSA or SMsA with or without accompaniment (piano), different body percussion can be used also.
Ambrož Čopi has studied composition, piano and vocal music. His
compositions have been published by Astrum, DSS, and Sulasol in
numerous CDs and he has won plenty of prizes for his
compositions in several composer competitions. He was awarded:
the Young Musician Award in (1995) for the outstanding
achievements during his study, the “Prešeren” Prize of the
University of Ljubljana and the award of the Municipality of
Bovec (1997), Gold Medal of the University of Primorska for the
achievements with the APZ UP choir (2009) and two important
awards by the Municipality of Koper (2014), the “Gallus” Medal,
the highest award in the field of musical activity at national
level in Slovenia (2014).
Since 1999 he has been a music teacher at the Art Grammar School
in Koper and since 2010, he has been directing the Choir of the
Music and Ballet Conservatory Ljubljana.
In the past years, he also conducted the Youth Mixed Choir of
the Art Grammar School Koper (1999 –2002, 2007 – 2013), the
“Vladimir Lovec” Chamber Orchestra (2005 – 2007), the Chamber
Choir “Iskra”, Bovec (1992 – 2001), the Nova Gorica Chamber
Choir (1998 – 2004), the Mixed Choir “Obala” Koper (1998 – 2007)
and the Academic Choir of the University of Primorska (2004 –
today). With his choirs he has won many prizes and he has been
awarded as the best conductor in numerous competitions. He is
regularly invited as a member of jury at various choral events
and competitions, and he is often involved in choral music
seminars at home and abroad as a lecturer.
Vytautas Miškinis (1954) is the Artistic Director of the Azuoliukas Boys’ and Men’s Choir, as well as the Professor at the Lithuanian Academy of Music and Theatre. He is also the President of the Lithuanian Choral Union past 20 years. He graduated as Choral Conductor from the Lithuanian Academy of Music in 1976. He began his career in Azuoliukas at the age of seven as a vocalist, and continued as Artistic Director from the age of 25.
Vytautas Miskinis conducted the Kaunas State Choir and Vocal Ensemble of the Museum Musicum. Prof. Miskinis is the Artistic Director and Chief Conductor of the all Lithuanian Choir Festival. He has led the choral performances of this choir in some 25 different countries. He has conducted a great number of compositions for choir with symphonic orchestras. He also lectured and held seminars on the subject of ‘musical education and conducting’ in numerous countries all over the world. He has participated in numerous national and international choral events as composer and advisor. He also has conducted workshops in several Europa Cantat Festivals, World Choral Symposiums, World Choir Games. He is a member of World Choir Council.
Prof. Miskinis worked as a member of numerous adjudicating panels in international Choir and Choral Composition competitions all over the world ( over 200 events ), amongst which one must mention the World Choir Games 2000, 2002, 2004, 2006, 2008, 2010, 1012, 1014, 2016. He has led workshops in China, Singapore, Philippines, Italy, Spain, Russia, South Africa, USA, Canada, Estonia, Latvia, Slovenia, Slovakia, Malta, Germany, Austria, Switzerland, Taiwan, Kazachstan, Jakutsk, Japan, Czech, Netherlands, Poland, UK, Taiwan, South Korea, Hong Kong, France, Costa Rica etc.
Prof. Miskinis has composed approximately 400 religious motets a cappella, 18 Masses, Magnificat, St. John Passion, 4 Cantatas, 2 Musicals with orchestras and about 400 secular songs, which are performed and recorded by choirs throughout Lithuania and the rest of the World. A great number of his compositions have been published not only in Lithuania but also in France, Germany, Slovenia, Italy, Spain, Japan, Singapore, Latvia, Russia and USA. He is awarded by many Governmental and National prizes.
Javier Busto (b.1949) was born in Hondarribia (Gipuzkoa – Basque Country). He has been a choir singer since childhood. In his youth he was a member of various rock and folk music groups. He graduated in Medicine from the Valladolid University, practicing his profession nowadays. He works as family doctor in Lezo (Gipuzkoa).
Busto was initiated into choral conducting by Maestro Erwin List. During his university period, he became conductor of Ederki Basque students’ choir in Valladolid (1971-1976), starting to write his first choral songs, which won third prize in the Tolosa (1975) competition.
Busto is Founder-Conductor of Eskifaia Choir in Hondarribia (1978-1994), winning first prizes in Ejea de los Caballeros, Tolosa, Avilés , Tours (France), Gorizia (Italy), Spittal an der Dräu (Austria), Mainhausen and Marktoberdorf (Germany). He is also Founder-Conductor of Kanta Cantemus Korua (1995), in Gipuzkoa, which has received first prizes in Tours, France 1997 – 2007 and Tolosa 1999.
His works have received composition prizes in Bilbao, Igualada, Madrid and Tolosa. His scores are being published in Basque Country (bustovega), France (A Coeur Joie), Great Britain (Oxford University Press), Germany (Carus Verlag and Ferrimontana), Sweden (Gehrmans Musikförlag) and the USA (Walton, Alliance Music Publishing, and Santa Barbara).
Javier Busto is nowadays in demand throughout the world as a guest conductor and as a member of the jury in choral and composition contests. He has been requested in Argentina, Australia, Belgium, Canada, Croatia, France, Germany, Hungary, Italy, Japan, the Netherlands, Norway, Spain, Sweden, Taiwan, the USA and Venezuela. He is also a member of the technical committee of the Tolosa choral contest.
Composer and conductor born and raised in Tokyo, 1962.
Matsushita is currently the conductor and artistic director of
13 choirs, which are often invited to perform in Japan, Europe,
America, Canada, and Asia. They have also achieved excellent
showings in the choral circuit and won awards in international
competitions. A prolific composer and arranger, Matsushita’s
works are performed around the world. His compositions vary
widely, ranging from works based on traditional Japanese music,
Masses, motets, to etudes for choirs.
His works are published in Japan by Edition KAWAI, Pana Musica,
Ongaku no tomo sha Corp., Edition ICOT, and overseas by
Carus-Verlag Stuttgart (Germany), SULASOL Helsinki (Finland),
among others. Besides conducting and composing, he is also an
active workshop clinician and lecturer both within and outside
Japan. Especially, he has been adjudicating at many
international choral competitions and composition competitions
around the world. In 2005, he was awarded the“Robert Edler Prize
for Choral Music” in recognition of his outstanding achievements
worldwide in conducting, composing, performance, and education
within the field of choral music. His choir The Metropolitan
Chorus of Tokyo and he was invited to the National Conference of
the American Choral Directors Association in Salt Lake City,
Utah, USA as a guest choir and a panelist for Composer’s speak
out, moreover as a lecturer for a reading session in February
2015. Also, he was invited to Bach Academy Stuttgart as a
lecturer for the workshop about his works in March 2016, at the
same time his new work “De profundis clamavi” was performed by
KammerChor Saarbrückn as a world premiere in Staatliche
Hochschule für Musik und Darstellende Kunst Stuttgart. He was a
member of the artistic committee of the 11th World Symposium on
Choral Music in Barcelona 2017, and his work “Salva me” was
performed by KammerChor Saarbrückn as a world premiere in there.
In Taipei, Taiwan his work “Te Deum” for 4 groups male voices,
Organ, String quartet, and percussions were performed as a world
premiere by International professional groups in 2017. In 2019,
he gave a keynote speech at the International Kodály Symposium
(Kuching, Malaysia).
He is currently the CEO of the International Choral Organization
of Tokyo, the Artistic Director of the Karuizawa International
Choral Festival and the Tokyo International Choir Competition, a
member of the Founding Directors of the Asian Choral
Association, an honorary member of Associazione Nazionale
Direttori di Coro Italiani, a member of the Interkurtur World
Choir Council, the Vice President of the Tokyo Choral
Association, a member of Japan Choral Association Youth Chorus
Committee, Furthermore, he is a member of Japan Composers &
Arrangers Association, Special Guest Professor at Kobe College.
The Organising Committee of the International Choral Festival of Preveza, on the occasion of its 40th anniversary, decided to enrich the festival with new content. The 1st International Choral Composers' Competition was organized with the desire to encourage the creation of new choral works. Organizer is pleased with the good response and twenty-six compositions received at the 1st International Composition Competition of Preveza 2022. The competition, which took place in two categories (A Category – Compositions for Mixed Choir and Category B – Compositions for children’s Choir) was attended by twenty composers from ten countries (Argentina, Canada, China, Cuba, Greece, Italy, Poland, Russia, Slovenia and USA).
The jury, composed of the Ambrož Čopi (Slovenia), president of the jury and members of the jury Javier Busto (Spain), Ko Matsushita (Japan) and Vytautas Miškinis (Lithuania), highlighted the high level of some compositions received at the composers competition.
For category A eighteen compositions arrived. The 1st Award and a prize of 700€ went to composer Salvo Gangi (Italy) for composition Hodie Christus natus est, which will be performed as a compulsory composition in the finals of the 1st International Choral Conductors Competition of Preveza 2022. Among the most successful composers at competition is Luke Mayernik (USA) whose compositions Otche nash and Da ispolnyatsya usta nasha received 2nd, a prize of 550€ and 3rd Award, a prize of 400€, and two sentences from the same Liturgy were also among the recommended works. The jury also recommended three other compositions for performance and publication at the Astrum Music Publishing House. Descendit de cælis by Giulio De Carlo (Italy), Tebe poem by Klara Mlakar (Slovenia) and The gates to love by Yiorgos Koumaradios (Greece).
Eight compositions arrived for the competition in category B. The composition Crucifixus written by composer Giuseppe de Rosa (Italy) stood out, which received the 1st Award, a prize of 500€ and performance at the international conducting competition in Preveza 2022. The 2nd Award, a prize of 400€ went to Claudio Ferrara (Italy) for the composition Waiting at the Window and the 3rd Award, a prize of 300€ received Miguel Angel Musumano (Argentina) for composition Pueri Haebreorum.
Among the youngest composers, aged 25 and under, Klara Mlakar (1999) convinced the jury with her composition and received a Special Award for the best composition written by participant born after January 14th, 1997. Luke Mayernik also received a Special Award for the best Orthodox composition. Yiorgos Koumaradios also received Special Award for the best composition written by Greek composer
Ambrož Čopi (President of the jury):
''I have been following the Preveza International Choir Festival for many years. Really exceptional organizational work, which allows the choirs good presentations, unforgettable memories, and experiences that they carry with them for a long time. I am happy that choirmasters and a competition for composers and conductors added to this year's edition, raise this exceptional festival to an even higher level. It was with great satisfaction that we reviewed and evaluated the received compositions. Composers were limited to 4-5 voices in the A category and to 2-3 voices in the B category with the possibility of using the piano. Technically, the compositions had to be suitable for good choirs, thus enabling the wider applicability of the compositions. Subject to limitations, however, a few compositions were artistically weightily designed and awarded. There were no visible searches or excesses, but we gained quite a few interesting novelties, which the choirs would definitely like to include in their repertoire. The work of the jury took place in a good atmosphere and exchange of views. I thank all the members of the jury for their dedicated and professional work.''